Tag: New Apostolic Reformation

If you prefer listening to reading, check out our A Word Fitly Spoken podcast episode, Discord: Why Your Church Should Reject Bethel Hillsong and Elevation Music, based on this article.

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While this article deals primarily with Bethel, Hillsong, Elevation, and Jesus Culture, they are by no means the only heretical music sources to be avoided. Phil Wickham, for example, is just as prolific as these groups and his music is used by just as many churches. With his strong ties to Bethel, he should be included under the umbrella of Bethel as you consider the remainder of this article. There are numerous other unbiblical musicians who should be avoided for these same (and other) reasons. You can find a sampling of them in my article The Mailbag: False Doctrine in Contemporary Christian Music.

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Justin Peters and Todd Friel discuss the theological problems with Bethel, Jesus Culture, Hillsong, and Elevation music and why your church shouldn’t use their music in this video interview: Why Your Church Shouldn’t Play Bethel and Hillsong Music.

Is it wrong to sing songs from Bethel if they are theologically correct? In this episode of Redeeming Truth, Pastors Costi Hinn, Dale Thackrah, and Kyle Swanson provide insight into the dangers of supporting ministries like Bethel [and Hillsong, Jesus Culture and Elevation Music], that have a false understanding of who Christ is.

If you are looking for theologically accurate worship music to listen to or sing in your church, they have put together a Spotify worship playlist that you can listen to. Costi has also written an excellent companion article on his blog: Should Your Church Sing Jesus Culture & Bethel Music?

Excerpted from my article The Mailbag: False Doctrine in Contemporary Christian Music

“It’s imperative for churches to be discerning about the CCM they use in worship. If Jane Churchmember hears a CCM song in church and likes it, she’s likely to Google the song (probably right there in church- I’ve done it!), find out who sings it, and begin following that artist. Worship pastors who use CCM have a responsibility to vet the artists who perform the songs they select for the worship service to make sure they’re not sending Jane into the arms of a heretic. Additionally, music costs money, and you don’t want your church’s offerings supporting false doctrine.

Now, every time I address the subject of being discerning about worship music and that churches should not use worship music from heretical sources (such as Bethel, Hillsong, and Elevation) someone who’s defending using music from these heretical sources [will say]:

Well, [insert name of hymn writer here] wrote lots of perfectly biblical hymns, but he had some theological problems too, and you’re not recommending we get rid of all of his hymns.

Well, first of all, maybe we should more closely examine the theology of some of our most prolific hymnists and stop using their music because of what they believed. Quick – off the top of your head, name the three we should start with…

…And that’s what separates the errant hymnist from Bethel, et al. Most Christians, even those who prefer hymns over CCM, could probably not name three people who wrote hymns, let alone tell you anything about their theology. But if you ask the average Christian to name three top Christian artists, she could rattle them off in a second.

Most hymn writers have been dead for up to hundreds of years. They don’t have Facebook pages you can follow, nobody’s playing their stuff on KLOVE, they’re not on tour to promote their latest album, they don’t have thousands of followers worldwide, and their music is in the public domain, so your church isn’t financially supporting them or their work. If you wanted to follow their errant theology, you’d have to hit the books to research and study it. Contemporary musicians’ theology is only a click away on YouTube, social media, live streamed concerts and conferences, and on their web sites. Nobody is following dead hymnists’ false doctrine, but hordes are following contemporary musicians’ heresy.”

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Excerpted from my articles on Bethel, Hillsong, and Elevation:

If you came here looking for a critique of individual [Bethel, Hillsong, or Elevation] songs, that’s not really what this is about. Everything connected to [these “pastors”] – [the “churches,” the music companies] (as entities and all individual songs), all [“church” and music] personnel, materials, programs, and events – are all fruit of the poisonous tree [of the false teacher who heads everything up]. No, you cannot biblically pick and choose songs from [any of these organizations] that don’t seem to overtly violate Scripture. The Bible never tells us to “chew up the meat and spit out the bones.” It says:

I appeal to you, brothers, to watch out for those who cause divisions and create obstacles contrary to the doctrine that you have been taught; avoid them. For such persons do not serve our Lord Christ, but their own appetites, and by smooth talk and flattery they deceive the hearts of the naive. Romans 16:17-18

“Watch out” for false teachers. “Avoid them.” That includes everything about them: all their materials, books, events, music, social media, etc. Would the God who breathed out these words of Scripture be pleased if we ourselves, or our churches, use materials by people who “do not serve our Lord Christ”?

Excerpted from my article The Mailbag: Potpourri (…Solid churches with heretical music…)…

“We have been searching for a doctrinally sound church in the area we moved to, and unfortunately it has not been easy! The few that we have found still use Hillsong, Bethel or Elevation music. I usually cross a church off the list quickly if they sing from those artists. But like I said, now I am finding even doctrinally sound churches are throwing some of those songs in. Do you have any insight to this dilemma?”

…for pastors and ministers of music: This is yet one more reason it is detrimental to your church to use music from Bethel, Jesus Culture, Hillsong, Elevation, any musician connected these groups (such as Phil Wickham, who’s very prolific and has strong ties to Bethel), or any other musician who isn’t doctrinally sound (after you have thoroughly vetted him/her/them.) regardless of how biblical the lyrics of any particular song of theirs that you’re using might be. You could potentially be turning away solid, mature, discerning Believers who might otherwise be interested in joining your church. The woman who sent in this question is not the first to ask me something like this – not by a long shot. This issue is increasingly of concern to Christians looking for a solid church. (For that reason, I do not list churches – even Reformed or seemingly otherwise doctrinally sound churches – on my Reader Recommended Churches list who use music from heretical sources like these.)

When a visitor walks into your sanctuary for the first time, your worship service is the “face” of your church to her. What kind of a first impression are you making? When you use music by doctrinally unsound musicians, it does not say, “We’re really a doctrinally sound church – honest! We only use songs from these groups whose lyrics are biblical.”. It says, “This church has leaders who aren’t discerning,” or “If this church uses music by these heretical groups, what other doctrinal problems does it have?”. Why put that stumbling block out there when there is plenty of music available with biblical lyrics written/performed by doctrinally sound musicians?

And there’s another stumbling block that using this type of music puts in front of weaker brothers and sisters that you may not have realized. I have heard from a number of Christians whom God graciously saved and rescued out of the pit of “churches” similar to Bethel, Hillsong, and Elevation. They tell me that when they walk into what they think is a doctrinally sound church and hear music from these and other heretical sources, it triggers a form of spiritual PTSD. It’s traumatizing to them. They immediately become fearful that your church is mere steps from turning into one of these types of “churches.” Will they grow out of that reflexive reaction? Yes, some day, as God continues to sanctify them. In the meantime, do you want the music at your church to cause them unnecessary anxiety? I hope not.

Even for Christians who have not come out of “churches” like these but are knowledgeable about their heretical theology, using these songs in your worship service is putting a stumbling block in front of them, too. Take me, for example. I’ve studied these groups. I’ve seen their heresy and the damage they do to both the Kingdom and to the individuals who follow them. And because of that, I’ve zealously spoken out against them. If I visit your church and an Elevation song suddenly flashes up on the screen, my ability to worship is completely derailed in grief that your church would use a song from that source – especially if you know about their theology and are well acquainted with music from doctrinally sound sources that you could have used instead. I cannot sin against my conscience by singing those songs. Consider me a “weaker brother” if you like, but do you care more about me as your sister in Christ, or your “right” to use music from these sources? What about Paul’s posture in 1 Corinthians 8:9-13?

But take care that this right of yours does not somehow become a stumbling block to the weak. For if anyone sees you who have knowledge eating in an idol’s temple, will he not be encouraged, if his conscience is weak, to eat food offered to idols? And so by your knowledge this weak person is destroyed, the brother for whom Christ died. Thus, sinning against your brothers and wounding their conscience when it is weak, you sin against Christ. Therefore, if food makes my brother stumble, I will never eat meat, lest I make my brother stumble.

If this was true in Paul’s personal life, shouldn’t it surely be true of our worship services? If you wouldn’t put a Christmas tree or portrayals of Jesus in your sanctuary because it might offend a brother in Christ, why would you use worship music that causes offense to your brothers and sisters?

Finally, what is the proactively good reason for intentionally choosing music from a heretical source? In other words, when you’re selecting music for the worship service, why would you choose, say, a Hillsong song about God’s glory, or Psalm 23, or the crucifixion, when you could just as easily choose a song from a doctrinally sound source about any of those things – a source that isn’t a stumbling block to anyone, won’t give anyone the wrong impression about your church, won’t lead anyone to follow a heretical “church,” and won’t use your church’s offerings to support a heretical “church”? What makes the Hillsong song you’re choosing better than the song from the doctrinally sound source? It doesn’t seem to me that there’s a good enough reason to use songs from these sources that outweighs all the good, biblical reasons not to use them.

There is simply no good reason for a doctrinally sound church to use music from heretical sources like these.

There is simply no good reason for a doctrinally sound church to use music from heretical sources like Bethel, Jesus Culture, Hillsong, and Elevation.

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Additional Resources

Stop Singing Hillsong, Bethel, Jesus Culture, and Elevation by Scott Aniol

The Mailbag: “I Speak Jesus,” Charity Gayle, and How to Vet Christian Music

Why I Don’t Sing the Songs of Hillsong and Jesus Culture by Dan Cogan

Why Fundamental Baptist Churches Must Avoid Bethel Music by Spencer Smith

Bethel Church (Redding, CA)/Bethel Music/Jesus Culture

Hillsong/Brian & Bobbie Houston

Elevation/Elevation Music

The Mailbag: What Is the New Apostolic Reformation?

The Mailbag: Should Christians Listen to Reckless Love?

God’s Not Like, “Whatever, Dude,” About How He’s Approached in Worship

The Mailbag: False Doctrine in Contemporary Christian Music

Hillsong’s Theology of Music and Worship

Let’s Talk About the Worship Music at the [Charlie Kirk] Memorial Service… with Dawn Hill