Discernment, Mailbag

The Mailbag: “I Speak Jesus,” Charity Gayle, and How to Vet Christian Music

Every time I hear “I speak Jesus over you” I cringe. I can’t exactly explain why. Is it scriptural??

No it’s not, which is why it makes you cringe. It’s pretending to be biblical and your John 10:5, 27 sheep ears know it’s not. Here’s why it’s not:

• There’s nothing in Scripture that tells us to do, or shows an example of anyone doing anything of the sort. The Bible speaks in terms of encouraging, teaching, preaching, exhorting, rebuking, reproving, and comforting others with the written Word of God. If that’s what the person using this phrase means, then that’s what she should say.

Christians should use biblical terminology for biblical concepts, not made up, mystic linguistics. But what “I speak Jesus over you” sounds like, and what she probably means is some sort of supernatural transaction in which she mystically, verbally pulls Jesus down out of Heaven and invisibly spreads Him out over you, like a tarp or an umbrella, to ward off evil spirits or negative circumstances. Sounds kinda pagan, and witchcrafty or incantationy doesn’t it? That’s because it is, which brings us to the second reason you’re cringing…

• You don’t hear doctrinally sound, biblical Christians saying this. This is a buzzword/phrase typical of New Apostolic Reformation heretics. You probably heard this from an NAR false teacher or someone you know who’s into NAR (Bethel, etc.) garbage. This is John 10 at work in your spirit again: Christ’s true sheep (genuinely regenerated Believers) know His voice – what His teaching of sound doctrine from Scripture sounds like – and they will not follow the voice of strangers (false teachers).

• It’s grammatically… incorrect stupid. We speak words. We can’t speak objects or people. It’s impossible. It makes no more grammatical sense to “speak Jesus” over someone than it does to “speak a frying pan” over her.

God ontologically wired human beings for language, and the structure and grammar that goes with it, and we intuitively know when something is linguistically whackadoodle, even if we can’t put our finger on why. That’s another reason you’re cringing.

So if someone said “I speak Jesus over you” to me, I’d have some questions:

• What do you mean by that?

• Where, in context and rightly handled, does the Bible teach us to do that?

• What is that supposed to accomplish, or what will the result of that be so I can watch for it?

People who use this kind of phraseology are going to have trouble coming up with answers to those questions, because “I speak Jesus over you” is not taught in Scripture and doesn’t even make logical or grammatical sense.

◦◦◦◦◦

I was asked this question publicly on X. Since I don’t listen to pop “Christian” music – and especially not “Christian” music of this theological caliber – I was not aware that I Speak Jesus is the title of a song by an artist named Charity Gayle. I misunderstood the lady who asked the question to mean that this is a phrase she’s heard people using in conversation (I’ve heard NAR people say similar things), so that’s the way I answered. After I answered, she informed me that it’s a song.

(Just a little aside here: I do try to keep abreast of things and people in evangelicalism, I promise, but there are so many things and so many people that it’s impossible. Followers often ask me brief questions with little context, use acronyms I’m not familiar with, vaguely allude to situations I’ve never heard of, etc., assuming I’ll know what they’re talking about. I’m very flattered that my followers think I’m up on everything that’s going on out there, but I just want to be perfectly transparent that I’m not. I can’t be. Sorry about that. So when you have a question, do have mercy on me and make sure I know what you’re talking about so I can give you an answer that will actually be helpful to you. I don’t want to be unhelpful. :0)

So now that I know it’s a song, I thought this would be a good opportunity to demonstrate for you, step by step, using I Speak Jesus as an example, how to vet the purportedly “Christian” music you might be listening to.

1.

You hear a song. It’s catchy. You like it. You’re kind of half paying attention to the lyrics, but nothing jumps out and slaps you in the face as overtly heretical, like “🎶 Ooo, ooo… the Trinity doesn’t exist…🎶” or “🎶 Shall we continue in sin that grace may abound? YES, baby, YES! 🎶.”

2.

You listen again, this time paying attention to all of the lyrics. You still don’t hear anything overtly heretical. On the surface, everything seems like it aligns with Scripture, or at least doesn’t contradict it. In fact, you’re pretty sure you heard some theological words or part of a Bible verse in there, somewhere. It must be a biblical song, right? Not so fast, there, Skippy.

3.

🎶 Whoa, whoa… listen to the music…🎶 NOT. Turn the music off, get a text copy of the lyrics (It’s easy to do this by typing the title of the song, followed by the word “lyrics” into your preferred search engine.), slowly, carefully, and discerningly read the words, and compare them to rightly handled, in context Scripture.

Why read instead of listen? Because, whether you realize it or not, the music itself is impacting you. You wouldn’t have finished listening to the song the first time if you hated the music. It’s pleasing your senses, drawing you in, and dulling your objectivity*. You don’t need that distraction when you’re trying to be discerning. Additionally, listening to a song, no matter how slow the tempo, doesn’t give you the time you need to stop and ponder the words in light of Scripture, nor do you have all of the words in front of you at once.

*(Full disclosure: I gave the answer above to the lady on X about the phrase, “I speak Jesus over you” and went through the lyrics of this song two or three times before I listened to it, and even then I could feel a little tickle at the back of my brain going, “The music is great. Maybe the song isn’t so bad after all.” That’s probably exactly how Eve was feeling in the Garden when the serpent offered her that beautiful piece of fruit. And we all know how that turned out. It’s imperative that our brains, logic, and rational thought keep our feelings and senses in check when we’re trying to be discerning.)

Let’s look at the lyrics of I Speak Jesus:

I Speak Jesus

Verse 1:
I just wanna speak the name of Jesus
Over every heart and every mind
‘Cause I know there is peace within Your presence
I speak Jesus

Verse 2:
I just wanna speak the name of Jesus
‘Til every dark addiction starts to break
Declaring there is hope and there is freedom
I speak Jesus

Refrain:
‘Cause Your name is power
Your name is healing
Your name is life
Break every stronghold
Shine through the shadows
Burn like a fire

Verse 3:
I just wanna speak the name of Jesus
Over fear and all anxiety
To every soul held captive by depression
I speak Jesus

Refrain

Bridge:
Shout Jesus from the mountains
Jesus in the streets
Jesus in the darkness, over every enemy
Jesus for my family
I speak the holy name
Jesus, oh (oh)

Repeat bridge

Refrain

Repeat verse 1
Repeat bridge and refrain as artist desires

Performed by: Charity Gayle
Written by: Jesse Reeves, Dustin Smith, Abby Benton, Kristen Dutton, Carlene Prince, Raina Pratt
I Speak Jesus lyrics © Integrity’s Praise! Music, All Essential Music, For Me And My House Songs

OK, so what is the singer saying she wants to do here?
She wants to speak the name of Jesus.

Over whom?
Verse 1: Over every heart and mind (all people)
Verse 2: Over addiction itself (as a spirit or entity), or over people with addictions (it’s unclear)
Verse 3: Over fear and all anxiety (as spirits or entities), and over people with depression

Why?
Because she believes merely speaking the word “Jesus” taps into His power, healing, and life. She believes that speaking the word “Jesus” can break every stronghold; that the word “Jesus” will shine through the shadows and burn like a fire. (You’d have to ask the songwriters exactly what they mean by those last two metaphors, but I’m surmising that they mean something along the lines of, “Speaking the word ‘Jesus’ brings light to spiritual darkness.”)

Is this biblical?
No. Not in the way it’s being presented, as if the word “Jesus” is some sort of magic word you say, like “Abracadabra!” or “Hocus Pocus!” that – TA DAAAA! – magically makes things like addiction and depression disappear.

If saying the word “Jesus” did that, you’d see a lot more healing and peace and all the other things mentioned in the song happening, because a lot of people “speak Jesus” in vain a lot of the time. I mean, when was the last time you were watching a TV show and one of the characters blasphemously exclaimed, “J—s!”? Did that heal you of the flu or your gout? No, of course it didn’t.

To which Charity and the songwriters would probably reply, “Well, we didn’t mean it like that! We mean Christians speaking the name of Jesus over people with faith that doing so will heal them, bring them peace, etc.”.

Maybe so, but that’s not what they’re saying. The lyrics of the song imply that there is some sort of intrinsic power in the word “Jesus” itself. “Your name is power. Your name is healing. Your name is life.” The lyrics don’t give any other provisos other than the word passing someone’s lips.

But let’s grant them the benefit of the doubt that when they say “speak Jesus” they mean Christians speaking it with some sort of faith in what saying it will accomplish. Is that biblical?

No, it’s not. It is actually a violation of the third Commandment (taking God’s name in vain) and the laws and commands against practicing witchcraft, magic, and casting spells. Because that is exactly the way they’re using the name of Jesus – the same way witches cast spells. They’re attempting to speak words that harness supernatural power that doesn’t belong to them in order to exercise power and control over things that only God has power and control over.

And remember this little incident in Acts 19:11-19a?

And God was doing extraordinary miracles by the hands of Paul, 12 so that cloths or aprons were even carried from his body to the sick, and the diseases left them and the evil spirits went out. 13 But also some of the Jewish exorcists, who went from place to place, attempted to invoke over those who had the evil spirits the name of the Lord Jesus, saying, “I implore you by Jesus whom Paul preaches.” 14 Now seven sons of one named Sceva, a Jewish chief priest, were doing this. 15 And the evil spirit answered and said to them, “I recognize Jesus, and I know about Paul, but who are you?” 16 And the man, in whom was the evil spirit, leaped on them, subdued all of them, and utterly prevailed against them, so that they fled out of that house naked and wounded. 17 And this became known to all, both Jews and Greeks, who lived in Ephesus; and fear fell upon them all and the name of the Lord Jesus was being magnified. 18 Also, many of those who had believed kept coming, confessing and disclosing their practices. 19 And many of those who practiced magic brought their books together and were burning them in the sight of everyone;

The magicians burning their books of spells in the fear of God in verse 19 demonstrates that they recognized that the Jewish exorcists “invoking the name of the Lord Jesus” (13) were doing essentially the same thing they were doing- casting spells. The magicians saw what happened to the exorcists and they didn’t want that to happen to them, too.

And invok[ing] over those who had the evil spirits the name of the Lord Jesus (13) is exactly what I Speak Jesus is teaching. Go back up to “Over whom?” above. See how I’ve notated the lyrics “addiction,” “fear,” and “anxiety,” as “a spirit or entity”? There’s a reason for that. The NAR doesn’t teach sin like the Bible does. It doesn’t say, “You’ve committed the sin of drunkenness and you need to repent.” It says, “The spirit of addiction is on you and you need to be delivered from that spirit.” The NAR teaches that sin (and illness) happen because you’re possessed by, or at least influenced by, demonic spirits, and you need “deliverance” from those demons and spirits (Sounds an awful lot like the “exorcists” trying to drive out “evil spirits” in v. 13, doesn’t it?). This is not at all what the Bible teaches about sin (or illness either, for that matter). Here’s what God says about why we sin:

But each one is tempted when he is carried away and enticed by his own lust. Then when lust has conceived, it gives birth to sin, and when sin is fully matured, it brings forth death. James 1:14-15

No demons. No evil spirits. You and I sin because our flesh wants to. Because our flesh craves and lusts after something unholy that we’re not supposed to have. “The devil made me do it,” was a Flip Wilson comedy routine, not biblical theology. We are responsible for our sin, not some demon or spirit.

This was funny at the time because everyone – even pagans – knew it was ridiculous. But this is basically what’s now being taught at New Apostolic Reformation “churches” all over the world.

The Bible does not teach us to “speak Jesus over” anyone or anything for the purpose of bringing about results (healing, peace, freedom from sin, conquering the enemy, etc.) that are strictly within the purview of God. If you want to see people set free from sin, fear, anxiety, depression, and addiction, the biblical thing to do is to call them to repent and believe the gospel.

Is this song biblical?
No. It teaches false doctrine and is completely unbiblical.

4.

Now, maybe you’re not so much with all this “right brain” stuff – artsy words and metaphors and such. You’re more of a “left brain,” analytical, “Just the facts, ma’am,” kind of gal. Or maybe you’re just looking for a faster way to find out whether a song is worth listening to in the first place.

I have good news for you. Assuming the artist in question is somewhat prolific, there’s often a faster and easier way to find out what you should or shouldn’t be listening to. And it’s also a more biblical way than vetting individual songs.

When the Bible deals with false teachers, it doesn’t teach us to sift through every article they’ve written or every sermon they’ve preached and keep what’s good and throw out what’s bad. (In common parlance, this is often referred to as “chewing up the meat and spitting out the bones,” and it is an unbiblical way of dealing with false teachers.) The Bible teaches us to stay away from them, altogether.

Romans 16:17-18– “Turn away from” or “avoid” them.
2 John 9-11– “Do not receive him into your house and do not give him a greeting”.
Titus 3:10– “Reject” a factious man.

Scripture teaches us to avoid that teacher completely. Avoid him as a person and every piece of content he has ever created. And that’s the model we should be following with Christian musicians as well. In the same way you wouldn’t listen to a “good” sermon from heretics like Bill Johnson or Steven Furtick, you shouldn’t be listening to “good” songs from doctrinally unsound or heretical musicians. And churches should definitely not be using music from heretical sources in their worship services.

Why Your Church Should Stop Playing Bethel, Hillsong, Elevation, and Jesus Culture

How do you find out who should be avoided? You examine the musician’s life, doctrine, and practices. If you need a little help, you can use the resource I’ve created for vetting teachers: Is She a False Teacher? 7 Steps to Figuring it Out on Your Own.

The first thing I would suggest looking for is any ties to Bethel, Hillsong, or Elevation – all households of heresy (New Apostolic Reformation / Word of Faith). Bethel practically holds a monopoly on the Christian music industry (Hillsong, not as much any more since all the scandals, but Elevation is still hanging in there as a wannabe.), so any evangelical musician seeking fame and fortune is going to be looking to hitch her wagon to Bethel’s star. So look for connections to Bethel and anyone with strong ties to Bethel, for example, Phil Wickham. But also look for connections to any musician or band that you know has bad theology. I’ve got a few listed here, but this is honestly not an area I keep current with, so you may need to bounce things off a discerning friend who is more in the know than I.


Is “I speak Jesus over you” a biblical concept? Nope. Is the song I Speak Jesus biblical? Nope. Keep being discerning as you decide which music and artists to listen to.


If you have a question about: a Bible passage, an aspect of theology, a current issue in Christianity, or how to biblically handle a family, life, or church situation, comment below (I’ll hold all questions in queue {unpublished} for a future edition of The Mailbag) or send me an e-mail or private message. If your question is chosen for publication, your anonymity will be protected.

Mailbag

The Mailbag: False Doctrine in Contemporary Christian Music

This article is kept updated as needed.

I’ve noticed that false doctrine is not just restricted to sermons, conferences, and Bible studies, but that I have to watch out for it in the contemporary Christian music (CCM) I listen to as well. Are there any CCM groups, artists, or songs I should avoid? Can you recommend any specific doctrinally sound artists or groups?

You’re absolutely right that we need to be careful about what we listen to that wears the label “Christian.” There is a lot of beautiful, doctrinally sound, theologically rich music of all genres out there, and there’s a lot of junk as well.

I’d like to offer a couple of caveats before diving into the answer for this question:

1. I plead extreme ignorance when it comes to CCM. With rare exception, it’s not a genre I enjoy, I don’t listen to it, and the worship service I attend uses “traditional” (mostly hymns) music, so I’m not often exposed to it. I’m all in favor of doctrinally sound CCM for those who like that genre, it’s just not my personal cup of tea or an area I research.

So, in this article I’m going to tell you what little I know, point you to people and resources better equipped to answer this question, and lean heavily on you discerning CCM listeners for help (more on that in a bit).

2. There is lousy theology in every genre of music. There are lousy hymns, lousy Christian rap, lousy CCM, lousy gospel, lousy Southern gospel, etc. This question was asked specifically about CCM, so that’s what the answer is going to focus on. It’s not a debate about hymns or exclusive psalmody versus CCM.

3. Depending on music from currently popular musicians is a lot like depending on Bible studies from currently popular evangelical authors. The majority of them aren’t doctrinally sound, and even the few that are seem to be apostatizing at an alarming rate. My recommendation to churches? Either go back to using tried and true doctrinally sound hymns, sing the Psalms, or find some talented musicians and lyricists in your own (doctrinally sound) church and put them to work writing songs for your worship service.


Why is it important to be discerning about Christian music? Because the music we use in church and listen to at home teaches us theology, and it sticks in our memories (which is why a lot of Scripture memory programs set Bible verses to music to help with memorization). You probably couldn’t recite verbatim a quote from last Sunday’s sermon, but I’ll bet you know the lyrics of a lot of songs by heart. It’s important that those lyrics contain good theology.

It’s imperative for churches to be discerning about the CCM they use in worship. If Jane Churchmember hears a CCM song in church and likes it, she’s likely to Google the song (probably right there in church- I’ve done it!), find out who sings it, and begin following that artist. Worship pastors who use CCM have a responsibility to vet the artists who perform the songs they select for the worship service to make sure they’re not sending Jane into the arms of a heretic. Additionally, music costs money, and you don’t want your church’s offerings supporting false doctrine.

Now, every time I address the subject of being discerning about worship music and that churches should not use worship music from heretical sources (such as Bethel, Hillsong, and Elevation, see below) someone who’s defending using music from these heretical sources will invariably pipe up with this well worn canard1:

Well, [insert name of hymn writer here] wrote lots of perfectly biblical hymns, but he had some theological problems too, and you’re not recommending we get rid of all of his hymns.

Well, first of all, maybe we should more closely examine the theology of some of our most prolific hymnists and stop using their music because of what they believed. Quick – off the top of your head, name the three we should start with…

…And that’s what separates the errant hymnist from Bethel, et al. Most Christians, even those who prefer hymns over CCM, could probably not name three people who wrote hymns, let alone tell you anything about their theology. But if you ask the average Christian to name three top Christian artists, she could rattle them off in a second.

Most hymn writers have been dead for up to hundreds of years. They don’t have Facebook pages you can follow, nobody’s playing their stuff on KLOVE, they’re not on tour to promote their latest album, they don’t have thousands of followers worldwide, and their music is in the public domain, so your church isn’t financially supporting them or their work. If you wanted to follow their errant theology, you’d have to hit the books to research and study it. Contemporary musicians’ theology is only a click away on YouTube, social media, live streamed concerts and conferences, and on their web sites. Nobody is following dead hymnists’ false doctrine, but hordes are following contemporary musicians’ heresy.

🔴Artists to Avoid
Cory Asbury
Audrey Assad (Catholic)
Ray Bolz (homosexual)
Bethel Music
Lauren Daigle
Elevation Music
Charity Gayle
Amy Grant (homosexuality affirming)
Hillsong
Jesus Culture
Kari Jobe

Jennifer Knapp (homosexual)
Brandon Lake (close ties with Bethel, Maverick City Music {see below})
Matt Maher (Catholic)
Maverick City Music (woke, homosexuality affirming, partners with Elevation)
Nichole Nordeman (Nichole has extensive ties to a plethora of false teachers and was recently very vocal in her support of Jen Hatmaker’s embrace of homosexuality in the church.)
Michael Tait
Phil Wickham (in the NAR camp, close ties to Bethel)

These from Protestia.

And anyone else who closely associates with any of the above (performing together, co-writing songs, Bethel Music produces their albums, etc.)

🟡Artists I Don’t Proactively Recommend (i.e. Use Caution or Avoid)

Casting Crowns has toured with Hillsong. Hillsong – not CC – pulled out of their 2022 tour due to the scandals with Brian Houston.

CityAlight is the music ministry of St. Paul’s Anglican Church, which occasionally allows women to preach and has a few ties to Hillsong (covering Hillsong songs, also this video was recorded at Hillsong studios, see info. section).

Selah member, Todd Smith, is the husband of Angie Smith.

Shane and Shane uses mostly Bethel, Hillsong, and Elevation music (along with music by other problematic artists) in their Worship Initiative ministry. They have also performed with Bethel.

Doctrinally Sound Artists:
The Corner Room
Keith and Kristyn Getty
Hymnology
Indelible Grace Music
Brian Sauvé
Sovereign Grace Music

*(January 2021- Keep an eye on the Gettys. They’re still doctrinally sound as far as I know, but over the past couple of years, they have been platforming some biblically problematic personalities at their events. Jon Harris discusses this on the Russell Fuller reveals more, The Getty’s invited who?, & SEBTS prof. takes on The Gospel Coalition episode of Conversations that Matter, ~28:04)

There are probably many others that belong on all three of these lists, but those are the only names I personally know to give you.

Owen Strachan recently made some recommendations of songwriters, though they’re not all contemporary, on Twitter: (others also responded with suggestions, click here to see):

(I’m not familiar with all of these, but in case you need their first names to look them up: Bob Kauflin, Stuart Townend, Matt Papa, John Newton, Martin Luther, Horatio Spafford.)

You will, of course, need to vet for yourself the theology and associations of any musician or group you decide to follow. It’s not quite the same as vetting a teacher or pastor, but several of the principles in my article Is She a False Teacher? 7 Steps to Figuring it Out on Your Own can be adapted for vetting musicians. Additionally, I would recommend three things when deciding whether or not to listen to someone:

1. Look up the lyrics of about half a dozen of her latest songs and examine the lyrics against Scripture. It’s helpful to look at the words in front of you without hearing the music so you can really think about them without being emotionally influenced by the music. Are they biblical?

2. Look to see who the artist associates with and admires. The easiest way to do this is to check their Facebook and Twitter feeds. Do you see scads of re-tweets and shares of posts from false teachers? Is she on tour with, co-writing songs with, or having her albums produced by a musician you know should be avoided?

3. Go to the artist’s web site, and examine her statement of faith (if she has one) and the venues she’ll be playing. Does she frequently play at places like Bethel? Lakewood? The Potter’s House? Is she the worship leader at a lot of conferences featuring false teachers? You might also want to look at her bio to see if she mentions her home church. If she’s a member of a church headed up by a false teacher, that’s definitely a red flag.

Below you’ll find some helpful additional resources relating to specific songs, artists, and the CCM industry. I’d also like to solicit the help of you discerning listeners of CCM:

Are there CCM songs or artists you would recommend avoiding due to biblically demonstrable sin or false doctrine? Please comment below with the exact name of the artist/song, the reason to avoid said artist/song, and a link(s) providing lyrics and/or objective support for your reason.
Unsubstantiated accusations will not be published.
Are there doctrinally sound artists you would recommend? Please comment with the name of the artist (and preferably a link to his/her web site) below.


1From my article The Mailbag: Should Christians Listen to Reckless Love?


Additional Resources

Why Your Church Should Stop Playing Bethel, Hillsong, Elevation, and Jesus Culture

The Mailbag: “I Speak Jesus,” Charity Gayle, and How to Vet Christian Music

Let’s talk about the worship music at the memorial service… at The Lovesick Scribe

The Discernment in Music Archive at Faithful Stewardship

Sound in Worship by Justin Rea

Christian Music Review from Reformed Fellowship Church

Worship Song Ratings by Sandy Simpson

What’s So Bad About Christian Radio by Gabe Hughes

Psalms, Hymns, and Spiritual Songs: Putting Popular Church Music to the Test by Gabe Hughes

In Response to Putting Popular Church Music to the Test by Gabe Hughes

Psalms, Hymns, and Spiritual Songs (vol. 2) by Gabe Hughes

Once Again, Critiquing the Most Popular Praise and Worship Songs by Gabe Hughes


If you have a question about: a Bible passage, an aspect of theology, a current issue in Christianity, or how to biblically handle a family, life, or church situation, comment below (I’ll hold all questions in queue {unpublished} for a future edition of The Mailbag) or send me an e-mail or private message. If your question is chosen for publication, your anonymity will be protected.